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HomeHollywoodOscar Predictions Feinberg Forecast: Put up-Venice/Telluride/TIFF/Emmys

Oscar Predictions Feinberg Forecast: Put up-Venice/Telluride/TIFF/Emmys


A NOTE FROM SCOTT With the 82nd Venice, 52nd Telluride and fiftieth Toronto movie festivals and the 77th Primetime Emmy Awards now within the rearview mirror, the main target of the awards-industrial advanced — journalists, publicists and expertise — has shifted absolutely to the race to the 98th Oscars.

Since our final check-in, Chloé Zhao’s Hamnet (Focus) solidified its frontrunner standing by profitable Toronto’s viewers award, with Frankenstein and Wake Up Useless Man: A Knives Out Thriller (each Netflix) inserting second and third, respectively. Toronto’s viewers award is usually predictive of greatest image Oscar traction — Chariots of Hearth, American Magnificence, Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Inexperienced Guide and Zhao’s 2020 movie Nomadland all received the previous and went on to win the latter — however not all the time (final 12 months’s winner, The Lifetime of Chuck, faces an uphill climb this season).

Venice, in the meantime, awarded its prime prize, the Golden Lion, to Father Mom Sister Brother (nonetheless looking for U.S. distribution). Amongst its different winners: Benny Safdie was named greatest director for The Smashing Machine (A24) and Toni Servillo was chosen as greatest actor for La Grazia (Mubi).

Again in LA, journalists who weren’t in Venice, together with myself, have simply seen Kathryn Bigelow’s A Home of Dynamite (Netflix). A directing tour-de-force and true ensemble piece, it’ll spark the identical type of concern and dialog concerning the proliferation of nuclear weapons that the 1983 ABC TV film The Day After — one of the vital watched TV packages of all time — did two generations in the past.

Paul Thomas Anderson’s One Battle After One other (Warner Bros.) has additionally begun screening in LA. Many journalists caught it final week — I used to be nonetheless in Toronto, so I can be seeing it later this week — and it unspooled for Academy members on Saturday night time. Different member screenings final weekend included Kiss of the Spider Lady (Roadside), with Jennifer Lopez in attendance for a post-screening Q&A, and the documentary function Riefenstahl (Kino Lorber).

And, forward of the Oct. 1 submission deadline, one of the best worldwide function Oscar competitors is constant to form up. Probably the most vital latest information associated to that’s Brazil’s submission of The Secret Agent (Neon), which has been enjoying via the roof at competition and trade screenings, with author/director Kleber Mendonça Filho and lead actor Wagner Moura each trying like very sturdy contenders.

Moreover, Poland entered Kafka (nonetheless looking for U.S. distribution), the most recent movie from the good Agnieszka Holland, who has beforehand had movies chosen to signify Poland (2011’s In Darkness, which was nominated, and 2017’s Spoor), West Germany (1985’s Indignant Harvest, which was nominated) and the Czech Republic (2020’s Charlatan, which was shortlisted).

Please bear in mind: my forecasts don’t essentially mirror my private preferences. My goal is to not advocate for what I believe the members of the Academy of Movement Image Arts and Sciences ought to do, however moderately to undertaking what they will do. I arrive at my projections by screening many movies, analyzing their campaigns, talking with voters and learning related historical past and stats.



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